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Formal film training, professional-grade software, and a clear pathway into the industry are not equally distributed. Access is the first barrier. Tools are the second. Too often, these barriers reinforce one another, limiting opportunities before talent has the chance to develop. Film School Africa (FSA) exists to remove those barriers.
FSA, a Christian nonprofit film school that trains students from previously disadvantaged backgrounds who otherwise couldn’t afford to study film, was established in 2008. Founded by Katie Taylor, the school established its South African base in 2010 and launched its college-level programme in 2016. FSA operates from its Somerset West campus with a mission that goes beyond craft. The tagline says it plainly: “Where art gives life.”
The school takes in 12 to 20 students each year. Young people from previously disadvantaged backgrounds, many of whom could not have accessed formal film training any other way. Students come from across South Africa and the broader African continent. Some arrive having never left their home province. Many carry stories they have been waiting years to tell.
FSA doesn’t simply teach filmmaking. It houses its students, feeds them all meals and requires a family dinner together four evenings a week. The staff walks them through a journey that begins with theory, moves into production, and culminates in post-production, the discipline that transforms raw footage into something an audience will actually watch. It is, as Katie Taylor puts it, an environment where art becomes a vehicle for healing, processing, and becoming.
Post-production is where emerging films meet professional reality. It is also where the tooling gap is most visible. The film industry runs on Adobe Premiere Pro. Broadcasters, production houses, streaming platforms, and independent studios all expect editors to arrive already fluent. For FSA graduates emerging from under-resourced communities, the difference between knowing the software and not knowing it is, in practice, the difference between getting the job and being passed over. Katie Taylor, as Founder and also Executive Director, is clear about what it means for a graduate to arrive in an edit suite with that fluency already in place:
“It’s massive… anything that is available — that’s like an available tool to build the skill, that’s a job. That is a door open to a job that previously wasn’t open.”
Having access to professional tools is the difference between entering the workforce with a demonstrable, industry-standard skill and arriving without one.
Learning Curve, which has long championed equitable skills development and access, came on board as an early sponsor of free Adobe Premiere Pro licenses, drawn by a shared purpose with Film School Africa. The partnership puts professional-grade tools directly into the hands of students who would otherwise be unable to access them. In practice, this means FSA students learn postproduction on the same software that editors use at Netflix, Discovery, and across South Africa’s broadcast industry. They don’t arrive at their first job needing a transition period. They arrive workforce-ready.
Approximately 90% of FSA graduates find employment within six months of completing the programme. The significance of that number becomes clear when contrasted with the fact that township unemployment rates are around 45%. FSA alumni are working at companies like Netflix and Disney. Katie describes instances of real impact, like when FSA taught a photography class within the township to young children, and one eight-year-old boy went on to study at the Stellenbosch Academy for Photography and Design.
Learning Curve’s sponsorship of FSA is an ongoing commitment built on a shared appreciation for the potential impact that it can make. Katie Taylor notices the distinction: “When we have South African companies that come alongside us, there’s a shared understanding of who we’re working with and what we’re doing it for.” Consistency matters. The sponsorship has been in place for years. Its value compounds because it has been there year after year, building trust, curriculum certainty, and a track record that students can rely on when choosing where to invest their effort. Katie says:
“How incredibly grateful we are for Learning Curve and for what they’re doing. Doing what you can do consistently and faithfully makes a huge impact.”
For other organisations considering what a meaningful skills-access intervention actually looks like, the FSA programme offers a clear picture. Several principles hold:
Adobe Premiere Pro is an industry standard. Fluency in it is a baseline requirement for editorial work. Sponsoring access to those licences removes a gatekeeping barrier that would otherwise be so much harder to scale.
FSA provides the training, the environment, and the context. Learning Curve provides the tools and the Adobe relationship. Neither element works alone. The combination is what produces the result.
Employment rates are the headline. But the student who travels the world showcasing their work at festivals and the alumnus whose career changes what a child thinks is possible are the returns that don’t appear in many impact reports.
A one-off intervention is a gesture, but a sustained commitment can lead to structural change. The compounding value of being there year after year is what turns a good deed into a reliable pathway.
For FSA, each new intake brings students who will edit their graduation films on industrystandard software, enter the workforce already fluent in the tools the industry uses, and carry that capability into careers and communities that are enriched by their presence.
What FSA proves, and what Learning Curve makes possible, is that access was the missing piece, not talent. Give a gifted young filmmaker the right software, the right training and a genuine door into the industry, and the results speak for themselves. The impact rarely stops with one career. It encompasses families, communities, and the next child who picks up a camera and imagines a future that now seems within reach. That is what happens when “art gives life”, and the tools to sustain it are made available.
Learning Curve is committed to the belief in ‘the power of possibility.’ To discover to discover what’s possible, contact us today.
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This year at Adobe Max conference, which was held in Los Angeles from 15-17 October 2018, Adobe gave us sneak previews of a few new tools, apps and enhancements that ....
Another day and another gigantic purchase to the value of $4,5 billion. Adobe is set to acquire Marketo as part of its ongoing strategy to dominate the enterprise marketing space. ....
If you are in the commercial or government sector, then we have a very exciting announcement for you! Adobe has put together a truly sweet deal, but it is only ....
It has recently been reported that Adobe would no longer be supporting older operating systems with their new release of software. This has naturally led to a number of people ....
Do you remember what it was like to remove unwanted things from photos in Photoshop before they developed the ‘Content Aware’ feature?For those veterans who have been around for a ....
Frequency Separation has been around for a long time but has received a bad reputation in the past. This is not because there is anything wrong with the software. It’s ....
If you thought that the only way to create a striking presentation was by using MS PowerPoint, we wouldn’t hold it against you. Few people know that you can create ....
Adobe Acrobat has made it a lot simpler to work in teams, no matter where we are in the world or which devices we’re using. It enables us to create ....
Since it debuted in the 90’s, Photoshop has undergone a innumerable advancements. Since it was initially sold with Barneyscan-branded scanners, it was almost named Baneyscan XP, but that all changed ....
Earlier this month, Adobe released the preview of their new AR (augmented reality) authoring tool and multi-platform system called Project Aero. Using immersive technology, this interface blurs the line between ....
Custom-built to provide UX (user experience) designers with an optimised design process, Adobe Experience Design CC, more commonly referred to as Adobe XD, is a powerful software medium used to ....
It is almost mid-June 2018, so you may be wondering why we would choose to talk about what’s new in Adobe CC 2018 now. Well, it seems that there are ....
Adobe Max is an in-your-face, larger-than-life, all-guns-blazing annual celebration of creativity, which this year descended on Vegas. It’s Nice That was invited by Adobe, with over 12,000 other creative minds ....
Not too long ago, if asked what Adobe had in common with Shopify, the answer would be “nothing”! After all they aren’t even in the same market space. Adobe is ....
Primal Pictures now brings you PALMs, catering for your specific learning needs and adapting learning to improve your retention and outcomes. What is PALMs? PALMs stands for Perceptual and Adaptive ....
Adobe Photoshop has always been one of the most popular suites available for editing photos, thanks to its array of useful features that allow users to correct color, resize, crop, ....
Imagine having the convenience of calling on ‘Siri’ or ‘Bixby’ (for the Samsung enthusiasts) to assist you through the processes of your next Photoshop project. Well, this has been an ....
Pre-orders now open! Learning Curve are excited to announce pre-orders for the Adobe Creative Cloud Suite can now be placed! Place your order with us before the 28th February 2018 and ....
Video observations that strengthen and inform Swivl™ is a multi-purpose robotic motion platform, which will allow you to self-capture video. The robot enhances video capture by wirelessly following the movement ....
Creative Suite software has not been updated since April 2012, yet many Adobe users have still not made the move to Creative Cloud. With thousands of new features available and ....
Staggering 33% of installed software is not licensed. Last year South African companies coughed up more than R3.64million for using unlicensed software. This is according to the BSA, who in ....
As predicted, Adobe have officially announced all Creative Suite (CS) perpetual products will no longer be supported from May 2017. Learning Curve, Africa’s only Platinum reseller are here to guide ....
“I’m always seeking the next big thrill”
Me in a word: Exploratory
The first 21 years of my life were a mix of travel, sports and chasing academic excellence. As a child, I enjoyed jet skiing, bungee jumping and a few venomous pets. I’m still always seeking the next big thrill, like rock climbing and cave exploration.
Since leaving university and surviving the COVID years, I’ve developed my skills across different fields, from education to private healthcare, with a keen interest in human biology and education.
To relax, I watch old war movies or series, and shows like Sons of Anarchy and The Wire. Cooking was a big part of my childhood and I’d always help my parents prepare meals. I’ll bake anything with chocolate!
My wilderness survival buddy would be my dad. He’s a DIY expert, with basic wilderness survival skills. I once had a narrow escape outdoors: Venturing off the path on a solo hike, roasting in midday sun, suffering from dehydration, leg cramps and an encounter with a juvenile cobra. (I survived.)
Some everyday things that really annoy me are the morning traffic rush – and people being indecisive at the drive-thru window.
My bucket list destinations? Thailand, for rock climbing and base jumping, and Burma, for Lethwei (Burmese bare-knuckle boxing).
I think the human race needs a greater focus on work-life balance. Spending more time enjoying the little things, whether sport, art or music would help everyone live better, more fulfilling lives.
If I could change the law, I’d ban farm-raised lion hunting, and I’d allow a years’ paid parental leave for all new parents.
Outside of work, I juggle sports, cooking and taking my dogs out for regular walks.
My work family is supportive and engaging, always available to bounce ideas or chat. Learning Curve is the best work family ever, with an unparalleled culture. I like the freedom and flexibility to explore new and creative avenues – and the endless coffee (Yay!)
Medical Education Solutions Specialist
“Every day is different.”
Me in a word: Outgoing
I grew up in KZN, often barefoot in the bush, or soaking up the Durban sunshine. Our home was loud, with four daughters and weird and wonderful pets, and my love for performing means I have a large, bubbly, personality.
I wanted to be a singer and actress, then a vet. I moved to Cape Town to study Anatomy and completed an M.Sc at Stellenbosch University, then joined Learning Curve, where I work with 3D Anatomy software, Primal Pictures.
In my free time I like hiking, running, and yoga – and I’ve taught myself to play the ukulele. I recently started busking and people did tip me. (Was that their way of begging me to stop?)
Home entertainment? OK, this is embarrassing but I love the kind of reality shows which I fondly refer to as ‘trash TV’. I’m a vegetarian and love veggies, but also a classic mac and cheese with a parmesan crust.
I’m a cat person – my cat is my baby. I like the feline independence, and contrary to popular belief, they can be very friendly and loving.
Australia’s top of my bucket list; I was a huge Steve Irwin fan as a child and I’d love to visit the family’s zoo. I’d also love to spend more time exploring the spectacular nature that South Africa has to offer, and learn more musical instruments.
If I was in charge, there’d be a law against chewing with your mouth open, and one act of kindness every day would be compulsory. Kindness and compassion are what the world needs now.
I’m very lucky to be part of the wonderful Learning Curve education team. We’re passionate about our work and we’re loud and energetic, always having lots of fun with our clients around the country. This is a family that I love being a part of. Every day is different, which keeps things fun and exciting. Our team is full of knowledgeable people – I’m constantly learning new things from my colleagues.
My favourite office snack? Peanuts.
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