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Adobe Illustrator’s AI Vector Recolour has changed how designers approach brand adaptations. What once required hours of manual colour tweaking can now be done in minutes using simple text prompts. Beyond speed, it can analyse colour relationships quickly, helping generate cohesive variations. Used effectively, it allows designers to explore brand variations that would otherwise be time-consuming to produce.
Illustrator’s AI Vector Recolour feature blends technology and artistry, making what was once a tedious process both effortless and precise. By automatically applying generative colour themes, the tool helps to ensure efficiency and accuracy in vector recolouring. The Recolour Artwork tool streamlines the process further by supporting text-prompt recolour, allowing designers to adjust palettes on the fly and reducing errors and manual effort.
Adobe Firefly integration elevates your workflow, opening more creative options while retaining artistic intent. These advancements allow you to preserve brand integrity, even as you venture into fresh design territory. Technology in this context is about supporting your creativity, not replacing it.
As brands expand, adapting artwork for consistency across screens, print, and packaging can be a logistical headache. Manual recolouring is time-consuming and often ends in inconsistent visuals. By contrast, AI-powered solutions offer fast, seamless adaptation and maintain colour relationships across multiple iterations.
Ultimately, AI frees designers to focus on creativity by automating time-intensive work and keeping branding consistent. AI tools like Illustrator’s Recolour enhance both process efficiency and design innovation.
Harnessing AI for brand consistency brings major benefits. Automated recolouring helps ensure your brand palette is matched with precision. Scalable assets and consistent marketing visuals reinforce brand identity across platforms, while colour-guided prompts save time, reduce manual labour, and cut costs. AI-driven automation is essential for fast turnaround and competitive advantage.
To leverage AI recolouring, using the latest version of Adobe Illustrator, ideally paired with Firefly, can improve results. While various other design tools offer vector-based AI features, Illustrator remains a strong option for professional workflows. SVG export and image trace capabilities also support a range of use cases.
A clean file is important for effective recolouring. Removing stray anchor points, converting artwork to editable paths, and organising fill and stroke elements can help improve accuracy. Saving in AI, SVG, or EPS formats supports flexibility, while clearly grouped and named layers make the process more efficient and easier to manage.
Generative palettes let you explore complementary, analogous, and triadic harmonies, bringing complex palettes to life. Integration with Adobe Colour and the Colour Guide feature lets you import swatches and preview their impact.
Batch automation means you can recolour multiple vectors simultaneously, using scripts or batch actions to avoid repetitive work. Options for randomising or locking colours allow both consistency and experimentation, while Generative Recolour Variations help you iterate efficiently and maintain brand standards.
After initial automation, refine your outputs to help match the brand guidelines exactly. Use the Preview checkbox for real-time feedback, lock swatches, and adjust hue, saturation, and brightness with sliders. For spot-on branding, match brand spot colours using swatches or sampled colours to ensure alignment with your intended palette.
Save your work in .ai, .eps, or .svg for flexibility, or use Export for Screens for PNG or JPEG. For print, prioritise quality over size and make sure colours and patterns are properly embedded. Proper export safeguards your creative intent, whether for screen or print.
To elevate your work, adopt non-destructive workflows so you can experiment freely without altering originals. Swatch libraries speed up the process, while global adjustments keep all elements cohesive, crucial for multi-theme or campaign adaptations.
Manage linked assets carefully to ensure updates cascade across all uses, saving time and reducing errors. A global colour management strategy is important for collaboration and consistency.
Customised colour palettes centralise your brand essentials, such as colours, logos, and fonts, making them instantly available for any project. Spot colour matching (Pantone/Lab) secures accuracy in both print and digital.
Tools like Recraft Style Lab and Firefly’s custom models support advanced palette tweaking. Uploading reference images or experimenting with model training can enable bespoke brand adaptations.
AI can help simplify recolouring gradients and patterns, though complex elements like meshes may still require manual adjustment. Ensuring patterns are included during recolouring helps maintain consistency and integrity in complex elements. Illustrator’s Live Paint and selection tools let you apply nuanced changes to individual regions, ideal for intricate designs.
AI recolouring delivers rapid results, consistent outputs across formats, and efficiently handles multiple brand variations. The generative tools often uncover novel, harmonious palettes that manual methods might miss, giving you a creative edge. Learn more here.
One-click palette generation and instant prompt-based variations accelerate your workflow. Multiple versions can be created in moments, allowing designers to focus on creative problem-solving instead of repetitive tasks. This efficiency translates to higher productivity and more responsive design teams.
AI tools minimise manual work, reduce outsourcing, and enable small businesses to manage design tasks in-house. Credit-based or subscription models make powerful features affordable.
Illustrator’s AI Vector Recolour shines in packaging variations, seasonal logo updates, and adapting assets for regional campaigns. It empowers brands to consistently keep visuals fresh and on-brand, regardless of the context.
Designers can quickly customise logos, icons, and symbols for different campaigns. Spot colour preservation and accessibility checks help to make sure that variations are both functional and visually appealing.
Automate template updates for web and print using shared libraries and templates to maintain consistency across formats. This makes adapting assets to new languages, holidays, or special promotions more efficient and reliable.
Illustrator’s AI Vector Recolour has expanded what’s possible in brand adaptation, enabling rapid iterations and sophisticated colour exploration while improving efficiency. Rather than replacing your creative instincts, it supports your creative decisions.
Using Firefly and Creative Cloud Libraries supports smoother workflows. Sample prompts and iterative approaches help refine outputs, while automation reduces repetitive work and allows greater focus on creative direction.
Expect further integration and streamlined automation. Embracing these trends will help keep your brand competitive and adaptable in an increasingly automated landscape.
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This year at Adobe Max conference, which was held in Los Angeles from 15-17 October 2018, Adobe gave us sneak previews of a few new tools, apps and enhancements that ....
Another day and another gigantic purchase to the value of $4,5 billion. Adobe is set to acquire Marketo as part of its ongoing strategy to dominate the enterprise marketing space. ....
If you are in the commercial or government sector, then we have a very exciting announcement for you! Adobe has put together a truly sweet deal, but it is only ....
It has recently been reported that Adobe would no longer be supporting older operating systems with their new release of software. This has naturally led to a number of people ....
Do you remember what it was like to remove unwanted things from photos in Photoshop before they developed the ‘Content Aware’ feature?For those veterans who have been around for a ....
Frequency Separation has been around for a long time but has received a bad reputation in the past. This is not because there is anything wrong with the software. It’s ....
If you thought that the only way to create a striking presentation was by using MS PowerPoint, we wouldn’t hold it against you. Few people know that you can create ....
Adobe Acrobat has made it a lot simpler to work in teams, no matter where we are in the world or which devices we’re using. It enables us to create ....
Since it debuted in the 90’s, Photoshop has undergone a innumerable advancements. Since it was initially sold with Barneyscan-branded scanners, it was almost named Baneyscan XP, but that all changed ....
Earlier this month, Adobe released the preview of their new AR (augmented reality) authoring tool and multi-platform system called Project Aero. Using immersive technology, this interface blurs the line between ....
Custom-built to provide UX (user experience) designers with an optimised design process, Adobe Experience Design CC, more commonly referred to as Adobe XD, is a powerful software medium used to ....
It is almost mid-June 2018, so you may be wondering why we would choose to talk about what’s new in Adobe CC 2018 now. Well, it seems that there are ....
Adobe Max is an in-your-face, larger-than-life, all-guns-blazing annual celebration of creativity, which this year descended on Vegas. It’s Nice That was invited by Adobe, with over 12,000 other creative minds ....
Not too long ago, if asked what Adobe had in common with Shopify, the answer would be “nothing”! After all they aren’t even in the same market space. Adobe is ....
Primal Pictures now brings you PALMs, catering for your specific learning needs and adapting learning to improve your retention and outcomes. What is PALMs? PALMs stands for Perceptual and Adaptive ....
Adobe Photoshop has always been one of the most popular suites available for editing photos, thanks to its array of useful features that allow users to correct color, resize, crop, ....
Imagine having the convenience of calling on ‘Siri’ or ‘Bixby’ (for the Samsung enthusiasts) to assist you through the processes of your next Photoshop project. Well, this has been an ....
Pre-orders now open! Learning Curve are excited to announce pre-orders for the Adobe Creative Cloud Suite can now be placed! Place your order with us before the 28th February 2018 and ....
Video observations that strengthen and inform Swivl™ is a multi-purpose robotic motion platform, which will allow you to self-capture video. The robot enhances video capture by wirelessly following the movement ....
Creative Suite software has not been updated since April 2012, yet many Adobe users have still not made the move to Creative Cloud. With thousands of new features available and ....
Staggering 33% of installed software is not licensed. Last year South African companies coughed up more than R3.64million for using unlicensed software. This is according to the BSA, who in ....
As predicted, Adobe have officially announced all Creative Suite (CS) perpetual products will no longer be supported from May 2017. Learning Curve, Africa’s only Platinum reseller are here to guide ....
“I’m always seeking the next big thrill”
Me in a word: Exploratory
The first 21 years of my life were a mix of travel, sports and chasing academic excellence. As a child, I enjoyed jet skiing, bungee jumping and a few venomous pets. I’m still always seeking the next big thrill, like rock climbing and cave exploration.
Since leaving university and surviving the COVID years, I’ve developed my skills across different fields, from education to private healthcare, with a keen interest in human biology and education.
To relax, I watch old war movies or series, and shows like Sons of Anarchy and The Wire. Cooking was a big part of my childhood and I’d always help my parents prepare meals. I’ll bake anything with chocolate!
My wilderness survival buddy would be my dad. He’s a DIY expert, with basic wilderness survival skills. I once had a narrow escape outdoors: Venturing off the path on a solo hike, roasting in midday sun, suffering from dehydration, leg cramps and an encounter with a juvenile cobra. (I survived.)
Some everyday things that really annoy me are the morning traffic rush – and people being indecisive at the drive-thru window.
My bucket list destinations? Thailand, for rock climbing and base jumping, and Burma, for Lethwei (Burmese bare-knuckle boxing).
I think the human race needs a greater focus on work-life balance. Spending more time enjoying the little things, whether sport, art or music would help everyone live better, more fulfilling lives.
If I could change the law, I’d ban farm-raised lion hunting, and I’d allow a years’ paid parental leave for all new parents.
Outside of work, I juggle sports, cooking and taking my dogs out for regular walks.
My work family is supportive and engaging, always available to bounce ideas or chat. Learning Curve is the best work family ever, with an unparalleled culture. I like the freedom and flexibility to explore new and creative avenues – and the endless coffee (Yay!)
Medical Education Solutions Specialist
“Every day is different.”
Me in a word: Outgoing
I grew up in KZN, often barefoot in the bush, or soaking up the Durban sunshine. Our home was loud, with four daughters and weird and wonderful pets, and my love for performing means I have a large, bubbly, personality.
I wanted to be a singer and actress, then a vet. I moved to Cape Town to study Anatomy and completed an M.Sc at Stellenbosch University, then joined Learning Curve, where I work with 3D Anatomy software, Primal Pictures.
In my free time I like hiking, running, and yoga – and I’ve taught myself to play the ukulele. I recently started busking and people did tip me. (Was that their way of begging me to stop?)
Home entertainment? OK, this is embarrassing but I love the kind of reality shows which I fondly refer to as ‘trash TV’. I’m a vegetarian and love veggies, but also a classic mac and cheese with a parmesan crust.
I’m a cat person – my cat is my baby. I like the feline independence, and contrary to popular belief, they can be very friendly and loving.
Australia’s top of my bucket list; I was a huge Steve Irwin fan as a child and I’d love to visit the family’s zoo. I’d also love to spend more time exploring the spectacular nature that South Africa has to offer, and learn more musical instruments.
If I was in charge, there’d be a law against chewing with your mouth open, and one act of kindness every day would be compulsory. Kindness and compassion are what the world needs now.
I’m very lucky to be part of the wonderful Learning Curve education team. We’re passionate about our work and we’re loud and energetic, always having lots of fun with our clients around the country. This is a family that I love being a part of. Every day is different, which keeps things fun and exciting. Our team is full of knowledgeable people – I’m constantly learning new things from my colleagues.
My favourite office snack? Peanuts.
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