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NAB show started way back in 1923, about 96 years ago. Held at the Las Vegas Convention centre, it is the go-to convention for everything related to Media. All the big names such as Adobe showcase their new products during this event. This year’s show happens to be right around the corner. With two days left until the event, Adobe has announced a couple of incremental updates. While updates like this will be announced at the event, Adobe took the initiative to start off a day early. The updates in question are for the Premiere Pro, After Effects, Audition and Character Animator. Apart from incremental stuff like better codec and improved render times, they have included a couple of useful features.
Starting off with Premiere Pro, Adobe has included a new layout system for the project panel. Users can now arrange their media according to the project’s requirement. Extending this to After Effects, both the platforms can now share this, working in tandem. Another issue that quite a lot of Premiere users can relate to is audio and text placement. Adobe was keen to include rulers and auto detection which allows for more accurate results. Apart from that, encoding for H.265 and HEVC would be improved. Now if you’re wondering what that means, it basically will result in better loading times and real-time scribbling through the project.
Heading over to the After Effects side now. After Effects has always been considered as the photoshop of the video world. Even Mac users would have to agree that while their FCPX is superior to Premiere in some ways, they have nothing to compete with Adobe’s fine After Effects. Making it quite the industry benchmark. While it is all that perfect, Adobe continues to add more features to it. The latest one is the Content-Aware fill tool. It would allow, like in Photoshop, to remove objects in a frame. While that does not sound all that impressive, the software works to keep the entire video that way, judging from that frame. CRAZY! Adobe, while pioneering their Photoshop, have the advantage to play around with other products in a similar manner… Read More
Ahead of the annual NAB media show, which kicks off on April 6, Adobe is launching its traditional spring update with new updates for Creative Cloud apps including Premiere Pro, After Effects, Audition, and Character Animator.
As always, Adobe’s updates bring performance improvements, new features, and improved efficiency for its video and audio tools.
In After Effects, there’s a new Content-Aware Fill feature for video, which is a neat option that works just like Content-Aware Fill in Photoshop. You can select an object that you want to remove in a video and use Content-Aware Fill, powered by Adobe Sensei, to remove it.
Using Content-Aware Fill, you can remove logos, shadows, mics, and other objects from videos.
There’s a new Freeform Project panel in Premiere Pro that’s designed to allow you to arrange your video clips into select shots so you can build out and visualize a project to come up with new ideas.
Aligning text and graphics in Premiere Pro is easier through Rulers and Guides, and Guide Templates can be shared between After Effects and Premiere Pro.
Premiere Pro is also gaining Faster Mark Tracking, which Adobe says will bring more efficient color and effects workflows. Encoding for H.264 and HEVC has been improved for smoother playback in both Premiere Pro and After Effects.
For advanced users, After Effects has a new Expressions Editor for navigating through code visually with features that include … Read more
The annual NAB (National Association of Broadcasters) event is traditionally a showcase for new high-end video and audio editing features, and this year is no exception. Adobe has rolled out a host of new features and performance tweaks to its Creative Suite tools — particularly Premiere Pro, After Effects, Audition, and Character Animator. Not to be left out Cyberlink is also rolling out updates to PhotoDirector and PowerDirector for subscribers to its 365 Suite. For those who still think of video production as a niche market, Adobe projects that there will be nearly 605 billion minutes of video created every week by 2021. Of course, as anyone on YouTube knows, most of that will unfortunately never be edited, but it still leaves a huge amount that will be.
Content-Aware Fill for Video
The ability to plausibly fill in erased areas by using content-aware tools has been one of the most-impressive new photo editing technologies of the last decade. Now, Adobe has brought that same capability to video. Intuitively, that is a harder problem and certainly requires more processing power. However, video does have one natural advantage. Since there are typically many frames of the same scene, if you are trying to remove an offending object that is moving across the scene, the application can look at a variety of frames to see what the occluded background should be in other frames. Of course, that still means there is a need for plenty of advanced algorithms to get the color blending and lighting right.
There isn’t a lot of documentation out yet on how to use the new Content-Aware Fill in After Effects, but basically, it takes a few steps. First, you create a mask around the element you want to remove and then Track it as the object you want to remove moves, making sure the mask moves to follow the object. If the Mask doesn’t need to change shape, then AE’s automatic mask tracking works pretty well. Finally, you can choose to Content-Aware Fill using one of three modes. Object is the most sophisticated, and attempts to isolate and replace an object within the mask. Edge Blending gives you the sort of blur you see when faces or license plates are obscured in videos. Surface is the simplest and is designed to fill from solid surfaces under the section being replaced (like removing logos from the back of a laptop). The only other setting is choosing whether you want to fill the entire comp or just the work area.
Using Content-Aware Fill in After Effects is easy once you get the hang of it
Once I got the hang of the workflow, the process was pretty straightforward. It does lean much more on the CPU than the GPU, which is a little surprising given how good GPUs are at most of the needed tasks, so it can take a while. The fill is accomplished with an overlay of PNG files, so it can also consume quite a bit of disk space if you have a high-resolution video or are filling a long clip. As a simple example, here is some 4K drone footage I edited to remove our tracking vehicle for part of the shot (from about 7 seconds in to 18 seconds):
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“I’m always seeking the next big thrill”
Me in a word: Exploratory
The first 21 years of my life were a mix of travel, sports and chasing academic excellence. As a child, I enjoyed jet skiing, bungee jumping and a few venomous pets. I’m still always seeking the next big thrill, like rock climbing and cave exploration.
Since leaving university and surviving the COVID years, I’ve developed my skills across different fields, from education to private healthcare, with a keen interest in human biology and education.
To relax, I watch old war movies or series, and shows like Sons of Anarchy and The Wire. Cooking was a big part of my childhood and I’d always help my parents prepare meals. I’ll bake anything with chocolate!
My wilderness survival buddy would be my dad. He’s a DIY expert, with basic wilderness survival skills. I once had a narrow escape outdoors: Venturing off the path on a solo hike, roasting in midday sun, suffering from dehydration, leg cramps and an encounter with a juvenile cobra. (I survived.)
Some everyday things that really annoy me are the morning traffic rush – and people being indecisive at the drive-thru window.
My bucket list destinations? Thailand, for rock climbing and base jumping, and Burma, for Lethwei (Burmese bare-knuckle boxing).
I think the human race needs a greater focus on work-life balance. Spending more time enjoying the little things, whether sport, art or music would help everyone live better, more fulfilling lives.
If I could change the law, I’d ban farm-raised lion hunting, and I’d allow a years’ paid parental leave for all new parents.
Outside of work, I juggle sports, cooking and taking my dogs out for regular walks.
My work family is supportive and engaging, always available to bounce ideas or chat. Learning Curve is the best work family ever, with an unparalleled culture. I like the freedom and flexibility to explore new and creative avenues – and the endless coffee (Yay!)
Medical Education Solutions Specialist
“Every day is different.”
Me in a word: Outgoing
I grew up in KZN, often barefoot in the bush, or soaking up the Durban sunshine. Our home was loud, with four daughters and weird and wonderful pets, and my love for performing means I have a large, bubbly, personality.
I wanted to be a singer and actress, then a vet. I moved to Cape Town to study Anatomy and completed an M.Sc at Stellenbosch University, then joined Learning Curve, where I work with 3D Anatomy software, Primal Pictures.
In my free time I like hiking, running, and yoga – and I’ve taught myself to play the ukulele. I recently started busking and people did tip me. (Was that their way of begging me to stop?)
Home entertainment? OK, this is embarrassing but I love the kind of reality shows which I fondly refer to as ‘trash TV’. I’m a vegetarian and love veggies, but also a classic mac and cheese with a parmesan crust.
I’m a cat person – my cat is my baby. I like the feline independence, and contrary to popular belief, they can be very friendly and loving.
Australia’s top of my bucket list; I was a huge Steve Irwin fan as a child and I’d love to visit the family’s zoo. I’d also love to spend more time exploring the spectacular nature that South Africa has to offer, and learn more musical instruments.
If I was in charge, there’d be a law against chewing with your mouth open, and one act of kindness every day would be compulsory. Kindness and compassion are what the world needs now.
I’m very lucky to be part of the wonderful Learning Curve education team. We’re passionate about our work and we’re loud and energetic, always having lots of fun with our clients around the country. This is a family that I love being a part of. Every day is different, which keeps things fun and exciting. Our team is full of knowledgeable people – I’m constantly learning new things from my colleagues.
My favourite office snack? Peanuts.
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